iZotope Ozone.v3.10

Ozone is a mastering system of 64-bit DSP algorithms, complemented with enhanced visual meter displays, and integrated in an interface that makes it easy to get good masters.

Features:
Multiband Dynamics: Up to four bands of multiband dynamics that carefully emulate the response of analog circuitry, providing natural-sounding compression, expansion, and limiting
Paragraphic EQ: Shape the tone with eight nodes of bell, highpass, lowpass, high-shelf or low-shelf filters overlaid on an ultra fast spectrum display.
Multiband Harmonic Exciter: Up to four bands of multiband excitation for adding warmth, sparkle or shine to your mixes.
Multiband Stereo Imaging: Up to four bands of multiband stereo widening for adding space to your mix without losing the bass.
Mastering Reverb: Dual mode reverb for adding ambience to your mix.
Loudness Maximizer: Push the level without overloading with analog modeled or digital transparent loudness maximizers.
Dither: Prepare audio for CD with word-length reduction and high order psychoacoustic shaped dither.

IZotope Spectron.v1.09

Features include:
Morph module for vocoder-style spectral morphing with frequency-selective amount control
Spectral-based delay with independent delay and feedback control for each frequency band
Spectral-based stereo panning
Filter module for frequency-selective attenuation
Smear module including four independent delay lines with flanger-style LFO for smoothing the output of the Spectron Engine
Innovative interface allows for virtually unlimited sweeping and triggering options, includes advanced LFO settings with amplitude, frequency and pulse-width modulation.

IZotope pHATmatik PRO v1.52

Load and slice any WAV or AIFF on the fly (Like Recycle)
Support ACIDized WAV's
Preview in time (i.e tempo synched sample preview)
Per-slice editing:

- Reverse in place
- Replace slices withother samples
- Individual slice Amplitude envelope
- Process individual slices with VST FX destructively

Exports groove MIDI file
6 outputs

IZotope Trash v1.09

Trash is a 64-bit spice rack of distortion. For guitarists recording direct, Trash provides over 85 box, cabinet and speaker models -- ranging from standard amp classics to stacks to experimental designs. Combined with 45 overdrive and distortion models -- 12AX7 tubes, 6L6 tubes, transistors, fuzz, rectifiers, and more -- you can make Trash sound as good, bad, real or unreal as you want.

Trash goes beyond a typical "guitar amp simulator" effect, though. With multiband distortion, sweeping filters and emulations of classic delays it can be effectively applied to bass, vocals, drums as well.

Key features:
48 distortion types ranging from tube overdrive to the fuzz of germanium transistors. Chain pairs of distortions together for sonic destruction at 64-bit precision, or split the signal into multiple bands and apply distortion independently to individual frequencies.
Realistic modeling of 85 amp cabinets and speakers. Classics, combos, boutique models, stacks... a tone and character for any occasion.
36 filters that can be LFO or envelope triggered through a unique graphical display. Synth filters, resonant filters, classic analog filters and more.
Multiband dynamics and gating to control the peaks and tame the noise.
Trash the echo with a selection of classic lo-fi delays. Tape delay with saturation and nonlinear tape machine artifacts, tape-tube delay with added tube saturation modeling, classic analog delay with analog degradation and Lo-fi digital delay with quantization noise and aliasing.
History and Undo features, dedicated preset manager with dozens of drum, guitar and bass presets, spectrum and level meters, and DirectX automation.

iZotope Vinyl

iZotope Vinyl is the ultimate lo-fi weapon, it uses 64 bit processing and advanced filtering, modeling and resampling to create authentic "vinyl" simulation, as if the audio was a record being played on a record player.

You have complete control over the following parameters:
Mechanical Noise: The amount of turntable motor rumble and noise.
Electrical Noise: Internally generated electrical noise, such as 60 Hz grounding hum.
Wear: Control how worn out the record is, from brand new to played a few thousand times.
Dust: The amount of dust on the record.
Scratch: The number and depth of scratches on the record.
Warp: The amount of warping and the warp shape for the record - from no warp to the edges totally melted and warped.
Record Player Year: The year of the record player - from current linear tracking turntables to 1930 phonographs.
Stereo/Mono: Switch between stereo and mono output.
Input and Output Gain: Set the gain in and out of the effect with visual level meter feedback.

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Izotope Presets

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How To ( manual)

DOWNLOAD:

http://www.vstclub.com/forum/2-543-1