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Vir2 Instruments syntAX KONTAKT-DYNAMiCS | 3.7 GB
Vir2 Instruments syntAX KONTAKT-DYNAMiCS
A massive, expansive, and complex collection of electronic textures, the core of syntAX is a 2000+ patch synth library covering an immense amount of synth territory, including soaring leads, evolving pads, thick basses, harsh distortions, unusual textures, other-worldly atmospheres, FX, hits, blips, and more. Then syntAX blazes into new territory with its custom scatterFX engine which allows real-time manipulation and interaction with the syntAX core library. scatterFX is made up of two components: scatFX and stepFX.
scatFX gives you control over rhythmic stuttering, allowing you to program, play, and command rhythmic patterns of syntAX.
stepFX functions as an advanced step modulator allowing you to melodically animate pattern-based arpeggiations.
Both scatFX and stepFX lock to tempo and can be controlled by numerous external MIDI controllers, making the synth completely interactive.
Over two thousand different synth patches across a wide variety of folders: Arp Attacks, Atmospheres, Basses, Distortions, FX and Hits, Leads, Pads, Phat and Filtered, SyntOrchestra, and Textures.
3.6 GB of 24-bit samples.
The scatterFX engine available in all patches.
Remote control of many sonic parameters, including scatterFX and envelope controls, available via MIDI CC.
Independent control of scatFX and stepFX modules.
Resonant filter controllable via modulation wheel.
16 Preset slots to save custom scatterFX settings.
All rhythmic operations instantly tempo-sync to sequencer hosts.
Customizable input quantization.
Multi-timbral operation, supporting up to 64 simultaneous instruments loaded (subject to RAM availability), receiving up to 64 MIDI channels (16 in plug-in mode).
Home page: www.vir2.com
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Category: Sound Libraries |
Reads: 1994 |
“ It hurts to let go. Sometimes it seems the harder you try to hold on to something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you, because you think that your feelings were wrong and it makes you feel so small because it's so hard to keep it inside when you let it out and it doesn't coma back. You're left so alone that you can't explain. Damn, there's nothing like that, is there? I've been there and you have too. You're nodding your head ”
* Henry Rollins, The Portable Henry Rollins
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